DADDY’S LAP (2012)
Metaphorically, the home is a blanket to shield us from the harshness of
the raw world. However, in many cases the home is not a place of solice, comfort and warmth. This
discomfort is often perpetuated by the male figure in the environment. Daddy's Lap aims to question the misguided assumption of the home as a place of
safety under the broader context of a curated exhibition titled Home // an
experiment, by Uthando Baduza.
“Which seeks to destabilize the seemingly
finite construct of ‘home’ as a ‘structure/objects’ but propel us to imagine a
more fluid, unstable notion that is made and re-made – a constant state of flux
by the ‘people/things’ that inhabit/outside its domain. How are [gender,
political, economic, etc.] ideologies and the home are mobilized by the state
(and other actors) during periods of economic uncertainty and national
reconstruction/transformation.[1]”
[1] B. Murrillo, “Ideal
Homes and the Gender Politics and Consumerism in Post Colonial Ghana 1960-70s”
Gender and History, Vol 21 No. 3 (November 2009), pp 560-575 (adapted)
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